https://www.fanflus.com/curatorial-project daily 0.75 2026-08-10 https://www.fanflus.com/curatorial-project/dumb-luck-paz-sher monthly 0.5 2026-08-10 https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/210ceb43-a540-4c60-baab-27eefee051d4/Gamblers%27+Run.jpg Curatorial Project - Dumb luck _ Paz sher - Gambler’s Run Gambler’s Run (2025), a suspended sculpture. This is the second and last time this work is displayed. The first time, the sculpture stood upright, resembling an ordinary table one might randomly come across on a public street, inviting passive participation with the objects’ playfulness. This time, it is flipped upside down, suspended in the air, anchored to the ceiling by a chain that prevents it from crashing to the floor. Installed close to the exhibition’s entrance, the sculpture confronts viewers with the escape of its players. How does one submit, or commit, to a room whose players are gone? Sher isn’t sure if it depicts a beginning or an end; what ended for them could be a beginning for someone else. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/ac3589c4-370c-41fe-bc7b-4abad3e6be24/cross+tie+%28video%29.jpg Curatorial Project - Dumb luck _ Paz sher - Cross Tied (Video) https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/01718fe7-dbfd-4dd5-82f8-fbc15f361856/Cross_Tie+%281%29+Shadow_Fix+2.jpg Curatorial Project - Dumb luck _ Paz sher - Cross Tied (Sculpture) Cross Tied (2026), a mixed-media work with video and sculpture, the two balance each other on either side of the wall. Sher films a standing horse, its body bound by blue straps. The horse shifts gently, its hooves testing the ground - a faint, almost involuntary attempt, repeated, to step forward, to reclaim autonomy, if only for a moment. The TV monitor wrapped in straps echoes the condition of the tied horse it displays: object and image are bound by the same gesture, the container mirroring its content. Suspended on the other side of the wall is a horseshoe-shaped cast bronze, likewise bound with straps, its form inverted, like an upside-down horseshoe. Its surface carries a texture reminiscent of rotting banana peels. Is this piece a gentle jab at Cattelan’s suspended horses and his subsequent taped banana? In making, it makes, making it like. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/7d0a833a-9b51-4ad0-9b68-3e3a69ec4d41/poster_paz+sher-04_%E5%89%AF%E6%9C%AC.JPG Curatorial Project - Dumb luck _ Paz sher - Untitled (Corner I & II) Untitled (Corner I & II) (2023) consists of two distinct clusters of stacked batons, their form modeled on the police baton. Corner I is cast in aluminum; its stacked forms are flattened into a near-planar mass. Corner II is made of foam, painted in varying shades of blue. Both are installed in the back corner of the exhibition. The form remains inseparable from violence, authority, and power, yet within suggested shapes, other possibilities appear to be at play. Sher exaggerates the baton's handle into a phallic form, hinting at the humoristic, almost absurd nature of masculinity. The work prompts a question: Do we still need violence within today's democracy? What violence, if any, remains necessary to sustain a society? These baton-based works are installed beside the video of the tied horse - not as a threat directed at the animal, but to hold two logics of restraint in proximity: one institutional, one intimate. The entangled compositions of the batons generate an autonomous inner logic of their own, one that isn’t necessarily violent. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/0ac79669-dcc9-44ed-91e9-53729ccbd4ae/Paralyzed+%28Left+and+Right%29%2C+2023.jpeg Curatorial Project - Dumb luck _ Paz sher - Paralyzed (Left and Right) https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/b0d0f030-3a82-4232-a4af-4afef8f0ce07/Anonymous+Specter+-+Antihelix+.jpg Curatorial Project - Dumb luck _ Paz sher - Antihelix In Paralyzed (Left and Right) (2023) and Antihelix (2023), a pair of eyes and an ear haunt the exhibition room. Two separate cast-aluminum eyes, poured over with silicone rubber, rest on the floor as if molten into it, staring up to the room’s void. The eyes look in no particular direction, leaving the room itself suspended in an aimless gaze. The ear is embedded in the wall, as though someone were standing outside the room, listening. The word OBEY is cut out at the helix part of the ear. Could we, as viewers, do the same - set ourselves outside the room in order to listen? Listening is always layered with subjectivity. The word “obey” invites trust in an inner voice that exceeds our understanding of what to obey, cultivating a conscious dialogue with the works in this show. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/7c85c3d3-fbcc-4888-8900-7d493df708af/Head+Birth+2026_Paz+Sher.jpg Curatorial Project - Dumb luck _ Paz sher - Head Birth Head Birth (2026) is a sculpted, oversized head, split and shifted at its center. Inspired by the Greek mythology of Athena's birth from Zeus's forehead, Sher created this piece mimicking traditional statues with the concern of what would hatch, leaving open the question of what might yet emerge from it. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/2a6748fc-ba12-4419-a8b3-98d649017a19/Tondo%2C+2026+_+Paz+Sher_+2.jpg Curatorial Project - Dumb luck _ Paz sher - Tondo Tondo (2026): On Instagram, Sher came across a photo of a horse that had escaped from a bombed stable in Israel. He expanded the image using AI and printed it on adhesive vinyl. A blue, round food cover - bought at a shop across the street - covers the photograph. Tondo, an Italian word for a round object, describes round paintings or reliefs in art. This tondo also resembles a single breast with a pierced nipple, containing the image of the horse within it. The single exposed breast is itself a recurring motif in art history, from the one-breasted Amazons of classical sculpture to the nursing Madonnas of Christian iconography, setting the ambiguity between strength, sacrifice, and feminine nature. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786125347684-OPIQRK3U4RPWHUJN2HY5/Paz+Sher_Cross+Tie%2C+2023+%28vedio%2C+10min30sec%29.jpg Curatorial Project - Dumb luck _ Paz sher - Cross Tied (Video), 2023 10’30’’ https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786125399826-XBN981AH2VX4BSJTER9A/Cross+Tie%2C+2026_+Paz+Sher.jpg Curatorial Project - Dumb luck _ Paz sher - Cross Tied (Sculpture), 2026 Cast bronze and a strap 13 ¼ × 10 × 1 ⅞ in. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786125538810-DZT3TEWKEZ9C8J9PCS74/Untitled+%28Corner+I%29%2C+2023_Paz+Sher.jpg Curatorial Project - Dumb luck _ Paz sher - Untitled (Corner I), 2023 Cast aluminum 28 x 37.5 x 1.75 in. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786125625513-E264DZMRYTRWU65AJBFL/%E6%88%AA%E5%B1%8F2026-08-07+14.00.14.png Curatorial Project - Dumb luck _ Paz sher - Untitled (Corner II), 2023 (work in progress) Expanding Foam. 28 x 37.5 x 1.75 in. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786125662381-BQOSHSIYAHO0XPW4TKWA/Paralyzed%EF%BC%8C+2023_Paz+Sher.jpeg Curatorial Project - Dumb luck _ Paz sher - Paralyzed, 2023 Cast aluminum and silicone rubber Left: 3 ½ × 15 × 10 in. Right: 3 ¾ × 15 × 12 in. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786125685184-X5NXIHKCX2ZFV88Z73NZ/Anonymous+Specter+-+Antihelix+3.jpg Curatorial Project - Dumb luck _ Paz sher - Antihelix, 2023 Cast aluminum 3 ½ in. Diameter, 0.75 in. Depth https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786125804414-HBMCLZFKVEOHVBILELSG/poster_paz+sher-06.jpg Curatorial Project - Dumb luck _ Paz sher - Head Birth, 2026 Isolation foam and aluminum 22 ½ × 15 × 25 ½ in. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786126017327-N7VXQX448F45OX01UCD5/Gamblers%27+Run+_+Paz+Sher.png Curatorial Project - Dumb luck _ Paz sher - Gambler’s Run, 2025 Cement, wood, steel, bike chain lock, epoxy, 3D prints, plastic, and dates’ pits 37 × 34 ½ × 34 ½ in. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/1786137124163-REBLXVRSPJN23V7IYS7F/Tondo%2C+2026+_+Paz+Sher.jpg Curatorial Project - Dumb luck _ Paz sher - Tondo, 2026 Vinyl print & ready-made 12 in. Diameter, 6 in. Depth https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/aa580f1b-cfa3-4223-97ae-52afcadce635/Dumb+Luck_Paz+Sher%E3%80%82%E3%80%82.jpg Curatorial Project - Dumb luck _ Paz sher https://www.fanflus.com/curatorial-project/mtk5ikw6u5p582xn5n6a55w3105k2f monthly 0.5 2026-06-28 https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/0c4ae5bc-4f32-48ca-97a1-d02ec9475181/installation+view+of+He+Spoke+To+The+Birds.+Artist_Jeremias+Rumpl_+Curated+by++anfan+Yuxuan+Fan.+Courtesy+of+AAIE+and+FanFlus.jpg Curatorial Project - He Spoke To The Birds - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/4a82422c-01e4-4bf1-9d72-b27fea84c30e/installation+view+of+He+Spoke+To+The+Birds_.jpg Curatorial Project - He Spoke To The Birds - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/69f7a3a862d0e709db813336/dd727428-9c80-474c-8809-16e7614e045a/Installation+view+of+He+Spoke+To+The+Birds%2C+Rome.+Artists_Diego+Azzola%2C+Huang+Zhe.+Curated+by+Fanfan+Yuxuan+Fan.+Courtesy+of+AAIE+and+FanFlus.jpg Curatorial Project - 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